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Duncan Hooson's "Fancy Goods" are a reimagining of objects that might be found by archaeologists under London Bridge station, where the exact function of the finds remains unknown.

Alison Cooke's series of components "Platform 6" combines references to train wheels and the track layout of the new station with the melting of objects dug up from the 1861 Tooley Street fire.

Jo Pearl's "Votive Feet" are inspired by a first century Roman oil lamp in the shape of a foot, excavated by archaeologists from under London Bridge station.

Matt Raw's plaque titled "Generic, Meaningless Crap" questions the value of materials and the blank façade of corporate architecture.